i
Beginnings deteriorate
Even the second knock sounds
an imitation
The scraping of shoes on the mat
the soil trapped in the tread
The space once travelled
which then feels known
arches back like a snare
There is a particular silence
only found under the feet
of a traveller at rest
As windows of hotels sing back
at the motors of aeroplanes
ii
To stretch your arms
around both sides of his body
Pull him close to your chest
rock the squalling flesh
into a curved hush like
a horizon
iii
These soft annunciations
breathed into frontiers
of hard flesh
dewclaw words coiling
beside a tangle of legs
agape in silence
at the look of things
The pigment darkens
as skin covets its own
articulation
iv
In summer
made pretty by smell
of frangipanis
There are these mornings
where heat deadens everything
where
you don’t remember your own name
until you hear it
What if you lay with a stranger?
What if you fell asleep and woke
beside him?
Recognised your shape in the sheets
your colour against the white
Could you coyly
become a sound?
v
Geometric alphabet
with its sharp edges
offers no security for the memory
It cannot keep the devout
gushing of the mouth
greedily taking in what it can
hold of the voice
what it can retain of what was seen
bristling in the water
This point
which cant be reached
can be called separation
no matter the distance
14 comments:
very strong work indeed, aJoy. richly repays many readings.
There is so much music in this poem Amanda,
'... silence only found under the feet of a traveller at rest'
'soft annunciations breathed into frontiers of hard flesh'
'the devout gushing of the mouth'
and as such, deserves to be on high rotation.
G
"The windows of hotels sing back
at the motors of aeroplanes"
I love that line. Beautiful poetry.
This poetry is soft, slow and makes me remember for a while some passages from Emily, my Emily, our Emily Dickinson.
Thanks Amanda
This is beautifully composed. The way that it works a poem (song) cycle is great. there is a slight alteration in each section that shifts the flow of the narrative and the sound. in the first section there is dominance of soft sounds (the ooh’) and in the next a hard ‘e’ (as in ‘etch’).
The way that this plays as a shift in mood and maintaining the overall flow of the poem cycle works great.
The language itself is superb. It puts me in mind of Welisch without the ‘academia’. the warmth of the poem shines through well: ‘rock the squalling flesh’; ‘as skin covets its own/articulation’; etc. The poem, overall, has a ‘feminine’ feel to it yet the eroticism of it is quite universal.
It is great to come across poetry that is written with such care and treats the reader as intelligent: capable of going beyond the everyday and entering a world of another experience.
i come back to this again
and again
and again
Rich and compelling.
Tinkerty-tonk!
Hello Amanda,
I must second the previous comments.
You don't know me although we have many mutual friends and I have seen you around Fremantle for years. I also own a painting of yours "The Quickening" from 1999.
I attemptd to speak to you at Saturday's concert at the Fremantle Arts Centre, however it seems you have many friends and admirers queuing to bask in your vibrant warmth. It is a rare grace you hold.
You have a strong and distinctive voice Amanda. I have been reading your posts for over a year now, as a subscriber here and at myspace.
You are a brilliant writer. I am wondering why you have not been posting your poems as regularly lately.
I was recently speaking with Stephen McMahon who showed me a copy of a small, exquisitely illustrated book of your poems from some years ago. Are you ever going to print them again?
Many questions, if not answered here and now I will ask you in person one day over those short macs you seem so fond of.
in great admiration,
An Old Literate Man
Hello Old Literate Man,
Thankyou for your compliments..
I'd like to believe I'm quite approachable :)
It's strange, I was talking about that painting only recently.
I actually have no slides of it at all. So if you'd like to introduce yourself sometime, I'd love to visit it.
see you at Gino's sometime(?)
Also you can email me at amanda@littleglasspen.com
cheers
Amanda
Denis, Thank you so much for such an engaged and sensitive reading of the poem.
Comments like yours are what makes blogging my poetry worthwhile..
warmly
Amanda
Nice work of art! Bravo!
Gorgeousness. I love the way the words tumble...and settle
Oh, and these lines:
"you don't remember your own name
until you hear it"
This is a beautiful, well wrought poem, amanda j, major admiration from me to you...
Ray Sharp
raysharp.wordpress.com
it is a symphony not just a piece of music, all words co-ordinate and dance with each other-beautiful...ken/down under
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