Fairy tales were
what I read before
sleep in her house
From a huge book, left
near the bed
The more people I tell
the more I seem to show
We visit Wave Rock and
Mulka’s Cave with its
handprints and story
of a cross-eyed birth
and devoured children
I want a word
for this place
in my stomach
behind where
tiny feet will press
beneath my ribs
some ganglia, twisted
spaghetti of nerves
apparently
You eat scones with
your parents, at the kiosk
Tiny waterholes, writhing
with baby frogs
pocket the rock
I scoop some out
Smell of dead ones
makes me retch,
alone, I get scared
walk back
Overlooked, the ants
Mulka was left to
once he was speared
to death
Words are words
We leave
with a tshirt
If you're anywhere near Brisbane --> Speedpoets
Tuesday, March 23, 2010
Wednesday, March 10, 2010
Staying
On her knees again
changing his dressings
My Grandmother’s
sunlit hands over
a wound that
never healed
Seven months and
still not showing
Why I’m here-
This growing inside me
drawing me toward
the women and their
understanding
They’re staying
home, watching
A Country Practice
leafing through old Bride
magazines
and its not cliché
it’s just what they do
I’m still going
out with the boys
in the utes, in my jeans
with their guns
and beer
It’s what they do
I think of the soft bones
The ones that aren’t
mine, hardening inside
my body, half-baked
bun in the oven
Your Mother is showing
me how to make cookies
for the men to take out
I want to be good
company
I want to know
about babies from women
who’ve had them
Which hidden parts
of us dilate, darken
or tear
changing his dressings
My Grandmother’s
sunlit hands over
a wound that
never healed
Seven months and
still not showing
Why I’m here-
This growing inside me
drawing me toward
the women and their
understanding
They’re staying
home, watching
A Country Practice
leafing through old Bride
magazines
and its not cliché
it’s just what they do
I’m still going
out with the boys
in the utes, in my jeans
with their guns
and beer
It’s what they do
I think of the soft bones
The ones that aren’t
mine, hardening inside
my body, half-baked
bun in the oven
Your Mother is showing
me how to make cookies
for the men to take out
I want to be good
company
I want to know
about babies from women
who’ve had them
Which hidden parts
of us dilate, darken
or tear
Monday, March 8, 2010
Chambers
In my grandmother’s house
was a ginger cat, too fat
to walk, which no one admitted
ever feeding
Seven months and
still not showing
I have to shuffle my feet
through the soft lolling bodies
to bang on the roof, stop.
I can feel blood and fur
drying on my ankles as
I get out of the tray to piss
In the graded paddock
there’s nowhere to hide
I hear the returned focus as
behind me the torches catch
another set of eyes, sharp
cracks and ricochet fracture
the hard night
A cat, feral, screaming
now, sharpening
the air with pain
now and the boys
are laughing as I walk
back
Your face pale and
tight as the moon
I grab your gun
push past the boys elbowing
each other proudly and aim
at its head
As it slumps, the silence
releases us. You’re smiling
at your Dad, who’s jumping
around like a shot
rabbit- Jeez she can shoot
-My lad knocked up
a good one.
For what it means,
I grew up with guns
was a ginger cat, too fat
to walk, which no one admitted
ever feeding
Seven months and
still not showing
I have to shuffle my feet
through the soft lolling bodies
to bang on the roof, stop.
I can feel blood and fur
drying on my ankles as
I get out of the tray to piss
In the graded paddock
there’s nowhere to hide
I hear the returned focus as
behind me the torches catch
another set of eyes, sharp
cracks and ricochet fracture
the hard night
A cat, feral, screaming
now, sharpening
the air with pain
now and the boys
are laughing as I walk
back
Your face pale and
tight as the moon
I grab your gun
push past the boys elbowing
each other proudly and aim
at its head
As it slumps, the silence
releases us. You’re smiling
at your Dad, who’s jumping
around like a shot
rabbit- Jeez she can shoot
-My lad knocked up
a good one.
For what it means,
I grew up with guns
Sunday, March 7, 2010
Matryoshka
Always on
my grandmother’s
bedroom wall, a picture
of a boy and a girl
climbing a tree
to a nest,
and now
Seven months and
still not showing
but, riding on the back
of the ute I’m feeling the weight
of the baby with every bump
hard on my bladder
The empty quiet
immense in the trees
circles us
The boys are shooting
rabbits. One, hit, backflips
about a metre into the air
and your father stands
in front of me grinning
His brown fingers slip quickly
into the limp body,
tiny but deep
They slide in and draw out
a glistening mass of pink
shapes, tied in a clump
Holds them out
toward me
The fresh, simple presence
of the dead mother
in his other hand
He laughs and says- I reckon
you’ll give us this many
-good thing
not all at once eh?
and there's another here > Another Lost Shark and if you keep following the links you'll find more :)
my grandmother’s
bedroom wall, a picture
of a boy and a girl
climbing a tree
to a nest,
and now
Seven months and
still not showing
but, riding on the back
of the ute I’m feeling the weight
of the baby with every bump
hard on my bladder
The empty quiet
immense in the trees
circles us
The boys are shooting
rabbits. One, hit, backflips
about a metre into the air
and your father stands
in front of me grinning
His brown fingers slip quickly
into the limp body,
tiny but deep
They slide in and draw out
a glistening mass of pink
shapes, tied in a clump
Holds them out
toward me
The fresh, simple presence
of the dead mother
in his other hand
He laughs and says- I reckon
you’ll give us this many
-good thing
not all at once eh?
and there's another here > Another Lost Shark and if you keep following the links you'll find more :)
Sunday, January 17, 2010
Gimme Shelter
Thursday, September 17, 2009
Harmonic Points
One metre is one ten-millionth
of the distance from the Equator
to the North Pole through Paris
This is a useful measurement
Then there is the truth of ratios:
a bird’s wingspan to a room,
the opening in the window
it entered through, then lost.
The weight of a pair of hands
trying to free it. There is the lonely
side of dialogue. The pieces
of the map and the ground
covered by your body when you fall.
The cleverness you trail like
a comet. The circus and the flea.
Edson’s ambushed stone to
the size of his mother’s love. Some
giddy slippage, to all the harmonic
points on a line to infinity.
The curved eyeball to the keyhole
of the hostage, then, the walls of
the captive. Lullaby of bedrock
to all it cradles. The hollow
of your hand to what I would fill
it with. The rose and what rose.
There’s writing on both sides
of the paper. The sensation
of speaking in tongues. All those
centred deities of blind voyeurs
to the spectrum of a single note.
The other side of the river to
a fish. Totems and guttered stars.
Death, ash, fire, warmth and smoke.
A forced song of almost someone
in so many breaths, there is also this:
Made flesh: what I take in
from what was said.
of the distance from the Equator
to the North Pole through Paris
This is a useful measurement
Then there is the truth of ratios:
a bird’s wingspan to a room,
the opening in the window
it entered through, then lost.
The weight of a pair of hands
trying to free it. There is the lonely
side of dialogue. The pieces
of the map and the ground
covered by your body when you fall.
The cleverness you trail like
a comet. The circus and the flea.
Edson’s ambushed stone to
the size of his mother’s love. Some
giddy slippage, to all the harmonic
points on a line to infinity.
The curved eyeball to the keyhole
of the hostage, then, the walls of
the captive. Lullaby of bedrock
to all it cradles. The hollow
of your hand to what I would fill
it with. The rose and what rose.
There’s writing on both sides
of the paper. The sensation
of speaking in tongues. All those
centred deities of blind voyeurs
to the spectrum of a single note.
The other side of the river to
a fish. Totems and guttered stars.
Death, ash, fire, warmth and smoke.
A forced song of almost someone
in so many breaths, there is also this:
Made flesh: what I take in
from what was said.
Monday, September 7, 2009
Winged Things
Once you give something
wings you have to treat it differently
because the bones are hollow-
just the heat coming off your neck up close
might cause an updraft that could send it higher
than the sound of our breathing, past
the fist-shaped clouds and their drizzle
past the pelicans and stars
There was an address written on her palm
that’s been smeared by yours
She can’t remember giving you the keys
You can’t remember locking up the house
Every other word here is the possessive you both lack
each day is its’ consequence
You’re driving through the night with her head
on your thigh
her white hand on your knee
into the pink morning where the world is all
keys and keyholes
where there’s roadhouse coffee and a quiet
place near a dry creek bed to do things
with mouths other than speaking
Billions of eyes have slept through this
With no sleep to wake from
yours can’t see past it
It’s been days since she’s taken the steering wheel
She says movement is her only peace
opening the window
You draw a concentric circle around her
to see what gathers outside
Sweep up your tracks behind you
keep them in the glove box with the maps
At the appearance of heat puddles
ahead in the middle of the road
you sing her bridges of outlined plans
knowing she is calmed
by the weight of your intention
You use fuzzy words
because the clear ones are all being used
back at the supermarket and the primary school
and you know her ears are tired of them
Over and over you look at each other
hardly recognising yourselves in this heat
You stop the car, lean over to kiss her in the centre
of her chest, she untangles her sunburnt legs
from the dashboard and smiles a distance
you can’t turn back from
A billion birds perched in the clouds look down
and are blinded by the glare from the windscreen
wings you have to treat it differently
because the bones are hollow-
just the heat coming off your neck up close
might cause an updraft that could send it higher
than the sound of our breathing, past
the fist-shaped clouds and their drizzle
past the pelicans and stars
There was an address written on her palm
that’s been smeared by yours
She can’t remember giving you the keys
You can’t remember locking up the house
Every other word here is the possessive you both lack
each day is its’ consequence
You’re driving through the night with her head
on your thigh
her white hand on your knee
into the pink morning where the world is all
keys and keyholes
where there’s roadhouse coffee and a quiet
place near a dry creek bed to do things
with mouths other than speaking
Billions of eyes have slept through this
With no sleep to wake from
yours can’t see past it
It’s been days since she’s taken the steering wheel
She says movement is her only peace
opening the window
You draw a concentric circle around her
to see what gathers outside
Sweep up your tracks behind you
keep them in the glove box with the maps
At the appearance of heat puddles
ahead in the middle of the road
you sing her bridges of outlined plans
knowing she is calmed
by the weight of your intention
You use fuzzy words
because the clear ones are all being used
back at the supermarket and the primary school
and you know her ears are tired of them
Over and over you look at each other
hardly recognising yourselves in this heat
You stop the car, lean over to kiss her in the centre
of her chest, she untangles her sunburnt legs
from the dashboard and smiles a distance
you can’t turn back from
A billion birds perched in the clouds look down
and are blinded by the glare from the windscreen
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